Unlike traditional legal structures, B Corporations use the power of business to solve social and environmental problems through an operating model based on making good decisions for society. For Thinkhaus, those decisions mean specializing in socially and environmentally conscious projects for companies, as well as ensuring their own operational processes encourage transparency, openness and sustainability.

“We believe people deserve an economy and way of business that is more sustainable, both socially and environmentally,” says Thinkhaus Founder and Design Director John O’Neill. “The B-Corp Certification will put us in the forefront of this movement as we provide sustainable graphic design and branding services with the means to better serve our clients and the greater society.”

To uphold their B Corp certification, Thinkhaus must meet comprehensive and transparent social and environmental performance standards. They must also meet higher legal accountability standards by passing the B Impact Ratings System and operating under the B Corporation framework.

“We are driven to always consider the impact our decisions have on employees, community, consumers and the environment,” says Communications and Design Director Jill Wagner. “By becoming a B Corporation, we are better able to broadcast our commitment to those values and continue the drive to create positive social impact in our communities.”

Thinkhaus Presents haustalk: Stereotypes in Mass Media :: March 30, 2011 :: 7–9 p.m.

The Virginia Center for Architecture, in conjunction with Thinkhaus and The Conciliation Project, presents a special haustalk. Join the conversation with Virginia Commonwealth University design students as they discuss how stereotypes are translated into the images and sounds that we see and hear in mass media. These stereotypes reinforce the social barriers that can deprive different groups, races, and genders of the quality of life available to others. Free.

RSVP today:
http://www.eventbrite.com/event/1395051637/efblike

The Winterhouse Institute was founded by William Drenttel and Jessica Helfand, to focus on self-initiated projects that support design education, and social and political initiatives. To learn more about what was discussed at the symposium please visit Design Observer at http://changeobserver.designobserver.com/entry.html?entry=22578

Thinkhaus, R. Roger Remington and the Vignelli Center for Design Studies Celebrations from Thinkhaus on Vimeo.

The Vignelli Collection is not the first collection to be housed at RIT. Largely through the efforts of Vignelli Distinguished Professor of Design R. Roger Remington RIT houses several collections from influential graphic designers who donated their body of work, process work, and materials to RIT. The set of collections, known as the Cary Collection, sits in the Wallace Library on campus. It is one of the largest graphic design archives in the world. With the addition of the Vignelli collection RIT knew it had to build a new larger space. The educational institution recognized the center as an opportunity to shape design education for years to come. The Vignelli Center for Design Studies has classroom space, and will host many exhibits and events for the campus community and the public to enhance the value of design in society. RIT’s School of Design will benefit from the center greatly as it currently offers BFA and MFA degrees in graphic design, interior design, industrial design, computer and new media design. With the addition of the New Vignelli Center for Design Studies the RIT School of Design looks to add an MFA degree in design history and criticism.

Jill and John are both proud to be RIT alumni and contribute to its legacy for high standards in design education. The Vignelli Center for Design Studies symbolizes those standards and raises the School of Design at RIT to new heights. Without the education that John and Jill both received from RIT Thinkhaus would have never been developed. Congratulations RIT, R. Roger Remington! Go Tigers!

Project H has designed solutions around the world to serve people in need. The organization is now based in Bertie County, North Carolina, one of the poorest counties in the U.S. Emily and her team are now working to improve the quality of life and education in Bertie County.

Below is a video of Emily’s presentation from the TED Conference about her experience teaching and designing in Bertie County.

Enjoy.

http://www.ted.com/talks/emily_pilloton_teaching_design_for_change.html

The book has six sections:

Teaching: School-based projects that focus on examining a critical issue or aiding a non-profit. How are critical causes being addressed in design education?

Seeking: Non-commissioned/self-initiated work created without a specific client request. How can design thinking identify and address social, cultural and political issues?

Organizing: Work that unites, organizes, draws, or rallies individuals or groups around a cause. How does design help spread the word, make people care, and motivate them toward action?

Supporting: Work that supports an existing cause/non-profit . This includes all the great stuff that designers make for organizations working toward the greater good.

Reacting: Work created in reaction (either affirmative or in protest) to a specific incident, situation, or experience. What is the designer’s creative response to the human condition?

Celebrating: Work that celebrates the arts or achievement, contribution, or service to a cause.

The book is scheduled to be publish by How To Design Books in the Fall of 2011.

The workshop started early on Thursday morning and ended during a First Friday event the next day. Through various thinking exercises, emergence within the community, and a few thought provoking discussions, the students developed an idea and executed what they called “RoamRVA.”

RoamRVA is a call to action, to venture into your environment and explore new places in Richmond, Virginia. RoamRVA is in the beginning stages. The participants hope to expand this idea into something more.

Like any rally, many people carried hand crafted signs that expressed their feelings. These signs were not designed professionally but with the use of language and humor they are very effective at illustrating their good points clearly.

Below you will find a video that showcase some of the signs that were made for the rally that brought 200,000 people to Washington D.C. for open dialog about the issues that the U.S. faces. Thinkhaus finds these signs inspiring as they show the power to make a difference and a change that needs to happen.